This book deserves all
the good press it gets. I was apprehensive about it for several reasons:
first, he's a dude writing about very female worries; second, the
hardcore fundamentalist mother was sure to piss me off; and third, it was his
first novel. Though it was a bestseller, I wasn't 100% certain that meant it
was truly going to be a good book. Thankfully, I was wrong on all three
accounts.

King writes surprisingly well on the
subjects of puberty, feminine issues, and especially teenage girl concerns.
That he wrote from both Carrie White's (outcast, fat, late to puberty) point of
view and Sue Nell's (popular, pretty, sexually active) perspective provides
good contrast. In his book On Writing, which I had to read for Creative
Writing class (and also recommend), reveals that the inspiration for this novel
came when he was a janitor at a high school. One of the girls' bathrooms had a
tampon dispenser in it, and King had to ask a coworker what it was. The other
janitor told him it was to "plug up" the girls during their period;
King couldn't get the idea out of head of how devastating the whole menstruation process
must be. He added a touch of telekinesis to the story of a woman’s transformation
and BAM! national sensation. There are other books I've read where a male tries
to take on female narrators and flops, and I’m glad King wasn't one of those.
Carrie's mom didn't irritate me as
much as I thought she would. I understood the source of her fundamentalism from
her own past, so I just feel pity for her instead of hate. This was another
aspect of King’s genius: instead of making a stereotypical, one-dimensional villain,
he gave just enough of her history for readers to sympathize with her fear and subsequent
harshness. Another way fundamentalism is portrayed in novels (like Beautiful Creatures) is the hardcore
Christian usually gains followers to lead a Jonestown-like assault against the
conflicted hero. In Carrie, all the
other characters thought her mom was weird too, so there was no uber-religious
uprising. So, I guess my personal issue with that recurring theme is how some
authors treat their characters like sheep, when I know people are more diverse
than that. King avoided that cliché and so I was able to cope with Mrs. White’s
fanaticism; it also helped that she punished her daughter in very unusual ways.
King’s framing of the novel,
especially switching between POVs and past and present is skilled. The novel
builds tension as well as could be done. Usually the switching means readers
get lost about who’s speaking and when certain parts are happening in the time
line. Part of the reason King is able to pull this off is his mastery of
language. When different people are talking (especially in horror novels where
crazy people are likely to happen), verbs, adjectives, tones change according
to the character who is speaking or thinking. Be aware enough of one’s writing
to pick and choose such details speaks to the talent of the author.
Without much ado, it’s sufficient to say I’m a King fan now! I look forward to reading books like The Shining and its new sequel, Doctor Sleep. I haven’t seen any of the Carrie movies (partly because I didn’t want to see Julianne Moore like a fanatic), but reading this persuades me to check them out.
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